80S SONGS AND ALBUMS
by Mark Nobes, chief editor
1988 Pop Art (album)
Tell That Girl To Shut Up
I Want Your Love
1989 Velveteen (album)
Baby I Don't Care
The Only One
Landslide Of Love
Born To Be Sold
1991 Little Magnets Versus The Bubble Of Babble (album)
(I Just Wanna) Be With U
If Looks Could Kill
POP ART (1988)
Interestingly, the B-side featured a track called God Save The Royalties, which was a reversed mix of the song Psychosonic Cindy that featured on the Pop Art album.
The album was certainly a step-up from Pop Art. It still had choruses you wanted to shout along to, but there were also dramatic strings, a 60s influence and an almost epic title track. I bought the Velveteen album on cassette, but sadly it was chewed up by my cheap Saisho car radio/cassette player in my Mini Metro! It was a very listenable album, though, which is why I now own the the CD version.
The Only One was the second single to be lifted from Velveteen. Despite sounding pretty similar to the previous single, it was saved by being more up-tempo and I actually found it a more enjoyable listen. The song spent six weeks in the singles chart and peaked at #15 in the UK. It managed to reach #30 in Australia. Two more tracks featured on the 7", 12" and CD version of the single which were; The Mystery Song and Love Me.
The dramatic, 60s-inspired Landslide of Love was the third single to be released from Velveteen. It charted for five weeks in the UK, peaking at #14.
The fourth and final single from the album, Born To Be Sold, reached a very respectable #22 in the British charts.
LITTLE MAGNETS VERSUS THE BUBBLE OF BABBLE (1991)
The album was released in the US, Australia, New Zealand and Sweden. Two tracks that featured on the album were released as singles in the UK; (I Just Wanna) Be With U (which reached #30) and If Looks Could Kill (peaked at #41) before the band split-up in February 1992.
WENDY JAMES "I CAME HERE TO BLOW MINDS"
This second solo album features a clever and interesting mix of rock, punk, folk and pop, and the tracks Speedball and One Evening In A Small Cafe really rock! The lyrics are edgy and some tracks have a welcome rawness that Transvision Vamp could've done with on some of their more commercial-sounding singles. This feels like the kind of stuff that Ms. James had been dreaming of writing since starting her musical career back in 1986. Here she has finally been given the opportunity of really expressing herself, with her first self-penned and self-produced album.
It's hard to pin down any single style of music here, but I can best describe this album as having the vibrant energy of the B-52s and Blondie in their early days, combined with the angst and sometimes offensive lyrics of the Sex Pistols.
So did it blow my mind? You bet it did!